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Si vous résidez en France , il est désormais possible de profiter de vos droits à la formation professionnelle pour participer à un atelier Venezia Photo. Selon votre statut, deux dispositifs existants pour vous accompagner dans le financement partiel ou total de votre stage à Venise.

PHOTO REPORTAGE From March 11 to 14, 2027

ED KASHI & JULIE WINOKUR

Visual Truths
Building Meaningful Documentary Stories
Prix de vente€1.790,00 Financer mon stage

Photography is more than witnessing events it is a way of understanding the world, building relationships, and giving lasting form to stories that matter.

Led by Ed Kashi and Julie Winokur, this four-day workshop explores documentary storytelling through the complementary languages of photography and writing. Drawing on more than three decades of collaborative practice, participants are invited to develop or refine a personal documentary project while learning how images, words, sequencing, and narrative structure work together to create meaningful visual stories.

Whether participants arrive with an ongoing project, an emerging idea, or a completed body of work ready for dissemination, the workshop provides individual mentoring to strengthen both the creative vision and the practical tools needed to bring documentary work into the world. Through portfolio reviews, shooting sessions in Venice, editing, writing exercises, ethical discussions, and conversations around publishing and audience engagement, participants develop a deeper understanding of long-term documentary practice while refining their own visual language.


Bio

Ed Kashi is a photojournalist, filmmaker, and educator whose four-decade career has taken him across more than 100 countries to document the social, political, and humanitarian issues of our time. A contributor to the VII Foundation, he has built a body of work defined by rigor, access, and a sustained commitment to the communities he photographs.

Born in New York City and educated at Syracuse University's S.I. Newhouse School of Public Communications, Kashi developed a practice grounded in long-form storytelling and deep immersion. His major projects — including Aging in America, Curse of the Black Gold, and extensive coverage of the Kurdish people — reflect years of engagement with complex subjects rather than surface-level documentation. A longtime contributor to National Geographic, his work has also appeared in Time, The New Yorker, and the New York Times Magazine.

His honors include the UNICEF Photo of the Year, the Prix Pictet Commission, multiple World Press Photo awards, and the POYi Multimedia Photographer of the Year. As co-founder of Talking Eyes Media, he has expanded his work into documentary film and multimedia, while maintaining a parallel commitment to education and mentorship within the field.

What distinguishes Kashi's work is not spectacle, but sustained attention — the ability to earn trust, return repeatedly, and produce images that hold up over time. He is regarded as a steady and serious presence in photojournalism, with a career that reflects both craft and conscience.


Julie Winokur is a writer, documentary filmmaker, and pioneering multi-platform storyteller. She launched Talking Eyes in 2002 as a way to create visual media that catalyzes positive social change. Her work has appeared in The New York Times, The Washington Post, Time, PBS and National Geographic. Beyond broadcast and publication, Winokur works extensively to put Talking Eyes' films to work at the grassroots level. She is the co-founder of Newest Americans, a storytelling project about immigration and identity that was named Best Online Storytelling Project in 2020 by Pictures of the Year International. She produced and directed of The Sacrifice Zone and Bring It to The Table, both documentary films with extensive impact campaigns.

Winokur has had two Emmy nominations, is a National Geographic Explorer, and has been on the faculty of Rutgers University-Newark, the International Center of Photography and Anderson Ranch Arts Center.

Objectifs Pédagogiques

  • Develop or refine a personal documentary project
  • Strengthen visual storytelling through sequencing and editing
  • Understand the relationship between photographs, writing and narrative
  • Learn how to define a personal point of view
  • Build confidence in articulating and presenting documentary work
  • Explore practical strategies for dissemination, publishing and audience engagement

Compétences ciblées

  • Documentary storytelling
  • Long-term project development
  • Photo editing and sequencing
  • Writing for photographic projects
  • Interviewing and caption writing
  • Ethical documentary practice
  • Project presentation and dissemination

Public cible

Photographers and documentary photographers, visual storytellers, journalism students, and committed amateurs wishing to develop a personal documentary practice through photography, writing, and long-form storytelling.

Prérequis

  • Basic understanding of camera equipment
  • Ability to shoot independently in public space
  • Willingness to engage in editing and group critique

What to bring :

• Personal photographic equipment including a digital camera with batteries and charger, lenses of choice, memory cards, an external hard drive or SSD, a personal laptop with charger, and photo editing software.

• A portfolio or documentary project (completed or in progress) ready to present at the beginning of the workshop.

• Participants are encouraged to arrive with a personal documentary idea they wish to develop throughout the workshop.

CE QUI EST INCLUS
  • The complete workshop: from Thursday morning 10 am till Sunday afternoon 3 pm
  • Welcome dinner
  • Any equipment loans

CE QUI N'EST PAS INCLUS
  • Meals (except from the welcome dinner) - there is a cafeteria and a restaurant available on San Servolo Island
  • Return transport to Venice and San Servolo
  • Accommodation: 100 rooms are available on site, in San Servolo, otherwise you'll need to arrange your own accommodation in Venice.
  • Vaporettos and other water cabs
  • All insurance cover for lost or stolen luggage, delayed or cancelled transport, theft or breakage of equipment during the workshop.
Programme détaillé
Day 1

Morning 10 am

Welcome and introductions.

Ed Kashi and Julie Winokur present more than thirty years of collaborative work across photography, documentary film, publishing and multimedia storytelling, sharing the projects and experiences that have shaped their practice.

Afternoon

Each participant presents their portfolio or an ongoing project, followed by individual feedback and collective discussion.

Together, participants begin defining the documentary story they will develop throughout the workshop.

Evening Assignment:
Photograph something on the island you want to learn more about. Prepare up to 5 images with a 200-word text describing what you photographed and why

Day 2

Morning 9 am

Review evening assignment: share and discuss images and texts from Day 1.

Photography and writing as complementary forms of storytelling.

Through examples drawn from books, long-term documentary projects and multimedia narratives, Ed and Julie explore how images and words strengthen one another, helping participants clarify their own point of view.

Writing exercise: choose one treatment that resonates with you and write a paragraph in that style related to your own project, or develop your own approach

Afternoon

The role of words in photography: choose one of your images and describe what's not in the picture—give context about what we can't see. What happened before and after? What sights, sounds, and smells defined the moment? Ed and Julie share examples

Multiplatform Storytelling: Do you want to add audio or video Explore creative examples of executing your ideas

Evening Assignment: Create a photo essay of 3-5 images that tells a
story about a place or moment on the island, focusing on how the sequence works together to convey meaning.

Day 3

Morning 9 am

Field assignment: Find an interesting person in Venice to photograph and interview. Create portraits and gather enough details to share their story through an AP-style caption and a 100-word description that brings their story to life

Afternoon

Download and prepare images, complete your writing
Group sharing and discussion of field work
Ethical Storytelling: Discuss ethical considerations in documentary work, including representation, consent, and the responsibility of the storyteller, with specific attention to issues you might be confronting in your work.

Evening Assignment: Photograph a subject using a technique or approach discussed during the workshop that is new to you. Prepare 3 images with brief notes on what you tried and what you learned. Alternatively, you can do a social media story, finding a person in Venice to photograph and interview, to create a social media post of up to a 7 image carousel with up to a 100 word caption

Day 4

Morning 9am

Technical Skills review: Group critique of photography and writing with guidance on composition, toning, image selection, and use of language to evoke emotion and convey information

Artist Statements and Motifs: How they help organize and define your work. Ed and Julie share examples of visual and written motifs

Afternoon ( to 4 pm)

Book blurbs: Ed & Julie will provide a bunch of examples of published blurbs and discuss effective approaches

Writing exercise: Write the blurb you would like to promote your book

Social Media: How are you using it and how might you employ it to support your project?

Each participant states their next steps and intended outcomes for their photography

Méthodes d'évaluation
  • Continuous assessment through daily individual feedback and group discussions
  • Final presentation of each participant’s work during the collective screening
  • End-of-session evaluation and self-assessment form to measure satisfaction and learning outcomes
  • Access to a shared alumni group for post-workshop dialogue and creative exchange
Après le stage
  • Participants’ work may be featured through Venezia Photo’s communication channels (newsletter, website, social media).
  • A private online group will allow participants to stay connected, share projects, and continue discussions beyond the workshop.
ACCESSIBILITY

All efforts are made to accommodate participants with disabilities. Please contact us in advance for adaptation of conditions.

Langue de l'instructeur

English

Durée et lieu

SAN SERVOLO, VENICE 4 DAYS

Ed Kashi & Julie Winokur
Ed Kashi & Julie Winokur Prix de vente€1.790,00