Skip to content

Cart

Your cart is empty

Continue shopping

Fiancer son workshop

Si vous residez en France, il est désormais possible de profiter de vos droits à la formation professionnelle pour participer à un workshop Venezia Photo. Selon votre statut, deux dispositifs existent pour vous accompagner dans le financement partiel ou total de votre workshop à Venise.

CLASSIC From April 9 to 12, 2026

ANTOINE D'AGATA & TANIA BOHÓRQUEZ

The limit of the photographic act
Festival Workshop
Sale price€1.290,00 Finance my workshop

This workshop, led by Antoine d’Agata in the visual component and Tania Bohórquez in the interview and conceptual process, invites participants to develop a personal photographic essay while confronting their obsessions, limits, and contradictions. Over the past ten years, d’Agata and Bohórquez have collaborated and taught together, shaping a methodology that merges intense photographic exploration with deep personal inquiry. At the core of this workshop is an individual 40 minutes interview with Tania Bohórquez, designed as an in-depth exploration of each participant’s personal and creative journey.

Through reflective questioning, the interview examines artistic motivations, emotional matrices, conceptual structures, and the participant’s position in the world and society. This process establishes the conceptual foundation upon which each photographic essay will be developed.

Participants will photograph intensively across the workshop, pushing their creative boundaries while exploring various approaches to image-making. The workshop considers photography as an act of affirming one’s perception of the world. Beyond the strictly documentary, the images—whether diaristic or observational—become a way to break free from the constraints of objective reality and construct a personal visual language.

Daily individual and group review sessions will guide the evolution of each project. The workshop culminates in a one-on-one editing session and the preparation of a final slideshow. On April 12, the results of this workshop will be presented publicly as part of a collective screening showcasing the work of all workshops within the festival.


Bio

Antoine d’Agata was born on November 19, 1961, in Marseille,France. At the age of 17, he interrupted his studies to live in the world of the night. For 12 years, he lived and traveled in some 20 countries. In 1991, while living in New York with no photographic experience, he enrolled at the International Center of Photography, where he studied with Nan Goldin and Larry Clark. In 1993, he moved to France, worked as a bricklayer, and stopped his photographic practice until 1997.

Antoine d’Agata’s work can be read as an exploration of contemporary violence from two distinct perspectives: the violence of the day, or economic and political violence (migration, refugees, poverty and war), and the violence of the night, or violence generated by social groups marginalized by poverty (survival through crime, narcotic addiction, sexual excess).

His latest books are VIRUS (2020), which documents the Covid-19 pandemic, and Antoine d’Agata — Francis Bacon (2020), which brings together the works of both artists. For the past 30 years, Antoine d’Agata has lived and photographed all over the world and has published some 50 works. He has been a full member of the Magnum Photos agency since 2008.

Tania Bohórquez Salinas, visual artist, uses photography, performance, video and writing as her main media. Her artistic work focuses on issues of social containment and resilience of groups vulnerable to violence. As an artistic director, she is an interlocutor in editorial processes and in accompanying artists in creative processes.

She considers art as a tool for social transformation and through pedagogical practices she disseminates concepts of horizontality in collaborative practices. Her most recent projects have emerged from the intersection of art and other fields of action: as the denunciation and enunciation of taboo stories, from a personal narrative that opens the dialogue in the collective; Through a multidisciplinary approach, she activates encounters, constructs sensitive archives, and opens critical dialogues. Alongside her artistic practice, she develops pedagogical and curatorial work and has collaborated in recent years with more than 150 women from 14 countries incollective processes of memory, resilience, and symbolic repair.

Pedagogical learning

  • Learn the steps involved in creating a photographic series
  • Develop a unique perspective through the selection and editing of photographs
  • Introduction to photography as a way to connect with reality
  • One-on-one interview to define a photographic project
  • Analysis of the participant's previous work
  • Daily photography sessions
  • Selection of photos for creating a cohesive series
  • Discussion of potential outlets for the completed series

Skills targeted

  • Develop the ability to build a cohesive photographic series
  • Refine a unique photographic voice
  • Use photography to connect with reality
  • Define a clear personal project
  • Analyse and strengthen previous work
  • Learn to select and sequence images

Target audience

This workshop is intended for photographers, artists, and visual creators who wish to deepen their documentary and conceptual practice through a personal photographic essay. It is designed for participants who want to explore their inner world, challenge their perceptions, and develop a unique visual language through intensive fieldwork, critical discussion, and reflective inquiry.

Prerequisites

A selection of around 20 images illustrating the practice (preferably printed or in the format of your choice), a camera, chargers, cables, 2 or 3 memory cards and a laptop or Mac-compatible hard drive (optional but recommended)

WHAT'S INCLUDED

The complete workshop: from Thursday, April 9, 2026 at 2:30 p.m. to Sunday, April 12, 2026 at 1 p.m.3 breakfasts, 3 dinners, 2 cocktailsAccess to the closing eveningAny equipment loansAccess to any tourist sites or places of interest planned as part of the workshop

WHAT'S NOT INCLUDED

Return transport to Venice and San Servolo Accommodation: 100 rooms are available on site, in San Servolo, otherwise you'll need to arrange your own accommodation in Venice.Lunch is on your own: there is a cafeteria in San Servolo.Vaporettos and other water cabs outside the excursions scheduled as part of the workshopAll insurance cover for lost or stolen luggage, delayed or cancelled transport, theft or breakage of equipment during the workshop.

Detailed program

Day 1

Introduction
Welcome, presentation of the workshop methodology and objectives.

3:30 – 6:00 PM
Portfolio Review
Group portfolio review with Antoine d’Agata.

3:00 – 6:00 PM
One-to-One Sessions with Tania Bohórquez
Individual 40-minute interviews on personal vision and creative process (scheduled in parallel).

5:00 – 6:00 PM
Shooting Instructions
Introduction to the photographic approach and guidelines for the upcoming night work.

10:00 PM
Late-Night Shooting Session
First intensive night shooting session in Venice.

Day 2

07:00 – 10:00 AM
Morning Shooting Session
Independent field practice in Venice.

10:00 AM – 2:00 PM
Group Critique & One-to-One Sessions
Review of new material with Antoine d’Agata and continuation of individual interviews with Tania Bohórquez.

2:00 – 3:00 PM
Break

3:00 – 6:45 PM
Group Critique Session (continued)
Deep conceptual guidance and discussion around the emerging work.

8:00 PM – 12:00 AM
Late-Night Shooting Session
Second night shooting session in Venice, accompanied transfer to the city, independent work on site.

Day 3

07:00 – 10:00 AM
Last Shooting Session
Final fieldwork in Venice.

10:00 AM – 2:00 PM
Group Critique Session
Final group review of produced images.
Short individual follow-up sessions with Tania Bohórquez on narrative direction.

2:00 – 3:00 PM
Break

3:00 – 8:00 PM
Editing & Writing
Final editing with Antoine d’Agata.
Sequencing of each participant’s photographic series with Tania Bohórquez.
Writing of a short accompanying text.

9:00 – 11:00 PM
Final Adjustments & Delivery
Continuation of work and delivery of all files for the final slideshow.

Day 4

09:00 AM
Closing session
10:00 AM
Final Global Presentation
Public presentation of the results from all workshops, including this group.

Please note that this program is subject to adjustments by the artists to best serve the needs and direction of the workshop.

Evaluation methods
  • Private end-of-course interview and feedback
  • Continuous evaluation of the personal photographic series throughout the workshop
  • Group and individual oral evaluation at the end of the course
After the training

Participants’ work may be featured through Venezia Photo’s communication channels (newsletter, website, social media).
A private online group will allow participants to stay connected, share projects, and continue discussions beyond the workshop.

ACCESSIBILITY

All efforts are made to accommodate participants with disabilities. Please contact us in advance for adaptation of conditions.

Language of instructor

English or French

Duration & location

San Servolo - 4 days

The limit of the photographic act
The limit of the photographic act Sale price€1.290,00