





In Venice, color is everywhere. In the shifting reflections of the lagoon, on façades weathered by time, in the unique light that constantly transforms the landscape. A city where colors seem to drift, echo one another, and change with the passing hours. An ideal setting for exploring our relationship with color in photography.
What Is Color Photography?
At first glance, color seems to bring photography closer to reality. Unlike a painter, a photographer does not freely choose the colors that make up an image. Instead, they work with the colors the world offers them.
Yet color is never a simple record of what is visible. It guides the eye, creates tension, reveals connections, and evokes emotion. It can transform an ordinary scene into a visual experience, shifting an image from description to interpretation.
This workshop invites participants to explore color as a true photographic language. Can color become a compositional principle? How does it shape perception, attention, and memory? At what point does it stop describing the world and begin creating meaning?
Through the analysis of photographic works and hands-on shooting sessions in the streets of Venice, we will examine how photographers use color to construct a visual perspective. The goal is not simply to photograph the colors of Venice, but to learn how to think, compose, and tell stories through color.
Bio
Pedagogical learning
Skills targeted
Target audience
Prerequisites
Language of instructor
English
Duration & location
San Servolo - 4 Days






